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The Libation Bearers film: Elektra pours libations on her father's grave.
Photographed by Nicholas Ferrario.
© Didaskalia 1994-2020 - ISSN 1321-4853
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16.05 - Review - Aeschylus’ Prometheus Bound, Poreia Theatre, Summer Tour 2021, Greece
16.04 - Article - Akairos, or The Jerk:a performance translation of P.Oxy. 5189 16.03 - Article - Leadership in the Time of COVID: Responding to Theater of War's The Oedipus Project 16.02 - Article - Feminism(s) and Humanism in Wertenbaker's Dianeira 16.01 - Review - Communities and Contexts in the Theory and Practice of Roman Drama |
Volume 8 (2011) (new annual numbering begins)
7.02 - Close Relations (2009)
7.01 - Masks (Winter 2007)
6.03 - Responses to Ancient Drama in Contemporary Performance (Autumn 2006)
6.02 - Contemporary Electronic Research Initiatives (Summer 2005)
6.01 - Developments and Trends in Contemporary Research (Spring 2004)
5.03 - Electra (Summer 2002)
5.02 - Tantalus (Autumn 2001)
5.01 - Otago (Summer 2001)
4.02 - General Issue (Autumn 2001)
4.01 - Crossing the Ancient Stage (Spring 1997)
3.03 - The Performance of Homeric Epic (Winter 1996)
3.02 - General Issue (Autumn 1996)
3.01 - General Issue (Spring 1996)
2.03 - Roman Stagings (Winter 1995)
2.02 - Ancient Stagecraft (Autumn 1995)
2.01 - New Ancient Theater (February 1995)
1.06 - Supplement 1 - How is it Played? Genre, Performance and Meaning
1.05 - Embodying Ancient Theater (December 1994)
1.04 - Fusing Greek and Asian Drama (October 1994)
1.03 - Translating for the Stage II (August 1994)
1.02 - Translating for the Stage I (May 1994)
1.01 - Founding Issue (March 1994)
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