TAIROV'S PHAEDRA IN KAMERNY THEATRE (MOSCOW)
 |
The first appearance of Phaedra. Having proceeded to the middle of the stage, Phaedra falls to her knees and bends her body.
Image copyright Bakhrushin Museum of Theatre, Moscow. Reproduced by permission, April 2001.
© Didaskalia 1994-2020 - ISSN 1321-4853
|
16.05 - Review - Aeschylus’ Prometheus Bound, Poreia Theatre, Summer Tour 2021, Greece
16.04 - Article - Akairos, or The Jerk:a performance translation of P.Oxy. 5189 16.03 - Article - Leadership in the Time of COVID: Responding to Theater of War's The Oedipus Project 16.02 - Article - Feminism(s) and Humanism in Wertenbaker's Dianeira 16.01 - Review - Communities and Contexts in the Theory and Practice of Roman Drama |
Volume 8 (2011) (new annual numbering begins)
7.02 - Close Relations (2009)
7.01 - Masks (Winter 2007)
6.03 - Responses to Ancient Drama in Contemporary Performance (Autumn 2006)
6.02 - Contemporary Electronic Research Initiatives (Summer 2005)
6.01 - Developments and Trends in Contemporary Research (Spring 2004)
5.03 - Electra (Summer 2002)
5.02 - Tantalus (Autumn 2001)
5.01 - Otago (Summer 2001)
4.02 - General Issue (Autumn 2001)
4.01 - Crossing the Ancient Stage (Spring 1997)
3.03 - The Performance of Homeric Epic (Winter 1996)
3.02 - General Issue (Autumn 1996)
3.01 - General Issue (Spring 1996)
2.03 - Roman Stagings (Winter 1995)
2.02 - Ancient Stagecraft (Autumn 1995)
2.01 - New Ancient Theater (February 1995)
1.06 - Supplement 1 - How is it Played? Genre, Performance and Meaning
1.05 - Embodying Ancient Theater (December 1994)
1.04 - Fusing Greek and Asian Drama (October 1994)
1.03 - Translating for the Stage II (August 1994)
1.02 - Translating for the Stage I (May 1994)
1.01 - Founding Issue (March 1994)
subnav3
X